韓國 近代小說에 나타나는 家出 모티브 硏究

Abstract

This study considered the novels of leaving-home motive that appeared in developmental processes of the Korean modern fictions from enlightened age to liberation of Korea chronologically. Generally, the leaving-home has meaning of free themselves from home land including their home and family to abandon their role regardless of the old and young in accordance with free intentions of a modern individual. Also the leaving-home in modern meaning is defined as the leaving-home appeared between the tight fixes linked with historical problems because it come to continually encounter with individual, social and historical problems. This thesis defines that the concept of the leaving-home is decided its character in accordance with a social mechanic relation. The social and historical motive of the leaving-home which appeared the developmental processes in the Korean modern novels described the leaving-home in accordance with a sense of mission to save their country in a reality of turning point called the enlightened age from enlightened age to the early days of 1910s, which made the leaving-home due to such an individual problem of self-consciousness when the self-consciousness as the modern individual against the feudal orders was on the rise from 1910s to the beginning of 1920s. The novels was being produced a lot of theme of leaving-home due to the intention for a social reform with reaction against such a conflict of social system and realistic cognizance to a social problem from the middle of 1920s to the latter half of 1920s. Lastly, Their efforts showed a new view without a breakdown from the loss of a view which the writers had to experienced, that is, which showed a view within the works among a spiritual leaving-home corresponding to their imaginable escape appeared as the leaving-home toward anti-feudality for the writers. - A spatial background of most novels which described by writers in its day has returned into the space of the enlightened age-. Firstly, The values which pursued by the novel's protagonists finally in such a leaving-home conditions showed the anti-feudal type against the early marriage or a forced marriage, as well as materialism including money showed the pursuance of the admissible world view toward the better life. The leaving-home due to a religious conflict showed a dual appearance of modern individual and earliest-modern individual. Finally, In the transitional period the spatial movement of novel as the enlightened space is to make a self-growth of grown modern through the leaving-home so as to make a self-examination and exploring from the loss of view. To our knowledge through this discussion the leaving-home is as a important inter-mode as returning-home in a developmental process of the Korean modern novels. Also, "the Not at home" that this thesis have treated and investigated is made a general classification into each realism and modernism. Additionally, We could say that the leaving-home is mode of realism, however the Not at home is the mode of modernism in a developmental process of the modern novels. An ideal realism is representative of disposition to make a the leaving-home to change the society. But a real modernism which is incapable the changes of the society really appeared a disposition to make the leaving-home. Lastly, The leaving-home appeared in the Korean modern novels 1. was an resistant activity against feudality, 2. was a pass mode so as to revive as a modern individual of growth.