朴鳳宇 詩 硏究

Abstract

In the 1950's, the whole Korea race undergo the historic event that is called 'The Korean-War' and 'the Partition of the Korean Peninsula'. 'The Inter-Korean Border' came into being as a index of the cessation of war but, It is left as the unsettled war in our consciousness. Moreover, because of 'The Inter-Korean Border', the South-North Korea extremely differentiated at this moment in society·regime·structure of the economy, not to speak of culture and consciousness. This report, I have studied 'Time and Space consciousness' in the poetry of Park Bong-Woo. At such a time, Because of Park Bong-Woo came out with his poem,『The Inter-Korean Border』(『휴전선』). and It was recorded in『The Inter-Korean Border』(『휴전선』, 1956), his first collection of poems. Moreover that wholly let us see the figured image of 'The Inter-Korean Border'. Here It means 'The Korean Peninsula' and the early 1950's more concretely, it does 'The Truce Zone' as the time-space rousing simultaneously the historic time of space and 'Partition.' Even from his subsequent work, he pursued Time and Place strongly. His poetic senses are related to the social·economic and historic experiences, therefore, the experience in the poem is appeared as a index of the Time-Space. So, I studied his poems in this thesis classified into three chapters. The first chapter centers on poems written in the 1950's so, he expressed experiences of 'The Korean War' and 'The Partition'. 'The Inter-Korean Border' means the foreground of space's sense. On that account, I sought for the Time-Space's consciousness centering around it. The Space symbolized by 'The Inter-Korean Border' is descripted as the space for 'opposition' and 'standing face to face'. This Space is cut off from the outside world. He caused his will to agree with the 'butterfly's homing instinct'. In the process, Space become abstractly and time transcend concreteness. In the second chapter, I studied the change of time-space consciousness centering around poems recorded in『The Tuesday of April』(『4월의 화요일』)and『The leaves of grass on a barren land』(『황지의 풀잎』). He intensively expressed experiences of the April revolution in『The Tuesday of April』. At this point, '4.19 revolution' is the confirmed Time-index by reflection. As long as we retrospect, we go through a time of 'The no-time' by deviation from the stream of natural time but, can get the ordinary living sense through concrete place. That place is differentiated into the province in accordance with the substance of use and yet, I mainly considered the domain of economy in this thesis. In conclusion, 'The no-time' of present and reflection is intersected each other at this period. In the third chapter, I studied the change of the Time-Space centering around poems written there after 1970's. In this period, he powerfully shows the will of 'Place-reversion' (want to search for one's hometown in original place). The hometown means 'race' or 'homeland'. Accordingly, he shows the orientation (want to go to 'Mt. Baek-Doo', our race's original place). And also, in order to confirm the ethnicity of a unitary state and conquest severance of the national land, he borrowed 'Tangun-Myth'. It is placed in juxtaposition with a time of past, present time and future time-space of compression. After an armistice, the North and South Korea widely differentiated each other. Under these circumstances, his effort for making 'homogeneity' in his poems is set a high value.